Prada to Buy
Versace for Nearly $1.4 Billion
The deal is a big bet on the value of “Made
in Italy.”
[ABS
News Service/12.04.2025]
On Thursday, in the biggest luxury deal
of the year, Prada announced it was buying Versace for 1.25 billion euros ($1.38
billion) from Capri Holdings, a beleaguered New York group that at one point styled
itself as the American answer to the great fashion groups of France.
The deal is a sign of faith in the continued
value of Made in Italy at a time when the financial markets are in chaos because
of President Trump’s whipsawing tariff policies.
And it marks the end of Capri’s attempt to create an American luxury group to rival
LVMH and Kering, while signaling
an attempt by Prada to create an Italian competitor to the powerhouses.
“It’s a bold and ambitious move by Prada,”
said Robert Burke, the eponymous founder of Robert Burke Associates. “The acquisition
would position Prada to diversify its portfolio and compete on a larger global stage.”
Versace will join Prada and Miu Miu, as well as Luna Rossa, the
America’s Cup sailing team, and the pastry brand Marchesi as part of the Prada Group,
creating a “best in class” mosaic of Italian savoir-faire. (The group also includes
the footwear brands Car Shoe and Church’s.)
It also gives the Prada Group’s fashion
holding critical mass, adding a ready-to-wear brand with a notably different identity
to those of Miu Miu and Prada
— as well as one that is not dependent on the designer Miuccia
Prada — to the mix.
In a news release, Andrea Guerra, Prada
Group’s chief executive, said the acquisition would add, “a new dimension, different
and complementary,” to the Group. “Versace has huge potential,” he added, while
noting, “the journey will be long.”
Prada plans to fund the acquisition with
debt, borrowing more than one billion euros. The plan was approved by both companies’
boards and they expect the deal to close in the second half of the year, pending
approval by regulators.
The Prada Group has been the rare success
story during a general downturn in the luxury market, reporting 2024 revenues of €5.4 billion, a 17 percent increase,
driven in part by the tremendous recent success of Miu
Miu, which experienced retail sales growth of 93 percent
last year.
By contrast, in its most recent financial report Capri, which also owns Michael Kors and
Jimmy Choo, said it expected Versace revenues to drop to $810 million in its current
fiscal year, from $1 billion in 2024. Versace has been seen as a potential acquisition
target since an attempt
by Tapestry, the group that includes Coach and Kate Spade, to acquire Capri was
blocked
last year by the Federal Trade Commission. (Speculation that Prada would also buy
Jimmy Choo, given its expertise in leather goods, was not borne out.)
“The Versace business is in need of a complete
turnaround,” said Luca Solca, a senior analyst with the
research firm Bernstein. At the same time, he added, Prada’s track record with acquisitions
“leaves much to be desired.”
Indeed, the Versace takeover is not Prada’s
first try to extend its winning formula to other brands. In 1999, after a decade
in which it helped define Italian fashion, Prada went on a buying spree, acquiring
Jil Sander and Helmut Lang,
two brands that seemed to share an intellectual approach to dressing with the group’s
core brand. It turned out, however, that the alchemy Miuccia
Prada and her husband, Patrizio Bertelli created at Prada
was not transferable. The group sold Lang
in 2005 and it divested Sander
the following year.
Versace will give them the opportunity
to rewrite that narrative.
Prada and Versace are, on the surface,
a study in contrasts. Versace made its name on a celebration of flash and fantasy,
reveling in sun, sex, the male gaze and the tightrope
between bad taste and elegance. Prada, by contrast, embraced a contrarian exploration
of the meaning of femininity, gender politics and the strange allure of ugly chic.
But, Mr. Bertelli
said in the news release, “we share a strong commitment to creativity, craftsmanship
and heritage,” as well as an understanding of the consumer power of brand semiology
— the upside triangle, the medusa head — and a belief in the importance of family.
Mrs. Prada is close to Donatella Versace,
who stepped in to run the company her brother Gianni founded in 1997 after his assassination;
though Ms. Versace left her
position as chief creative officer last month after almost 30 years,
she remains chief brand ambassador, and has always felt an enormous sense of responsibility
to ensure the future of her brother’s legacy. She is reportedly “delighted’ to have
her brand back in family hands.
Though the Prada Group is listed on the
Hong Kong Stock Exchange, Mr. Bertelli remains chairman.
Lorenzo Bertelli, one of Mr. Bertelli
and Mrs. Prada’s two sons, is chief marketing officer and considered the heir apparent
to the company, which was founded in 1913 by Mrs. Prada’s grandfather. Even the
designer who took Ms. Versace’s place at Versace, Dario Vitale, had spent the previous
14 years at Miu Miu working
with Mrs. Prada (who is creative director of Miu Miu and co-creative director of Prada with Raf Simons), ultimately
rising to become her second in command before decamping to Versace. He is effectively
coming home.
Capri, on the other hand, has a much shorter
genealogy. The group was created in 2018 when Michael Kors bought
Versace for $2.1 billion, following its acquisition of Jimmy Choo.
At the time, crowed chief executive John Idol, the Versace deal signaled “our latest step in creating one of the world’s leading
fashion and luxury groups.”
Now Mr. Guerra of Prada might say something
similar.